WE HAD A GAY OLD TIME: THANK YOU, WILLIAM HANNA
By Shannon Muir
Originally
published at Suite101.com, Reprinted at Digital
Media FX
***
When I first found
out that William Hanna passed away at the age of 90, I couldn't get the Flintstones theme out of my head. The gem
that Hanna and Barbera brought to the industry, I believe, was memorable
characters. Their studio also brought
us the Jetsons, Smurfs, Scooby-Doo (which has an official site --
check out http://www.scoobydoo.com/ to see it) and the early seasons of Powerpuff
Girls were also done under the
Hanna-Barbera banner. Their
collaboration goes all the way back to the 1930s, when their Tom and
Jerry cartoons for MGM and won seven Academy Awards. After the close of MGM Animation, the pair
formed Hanna-Barbera. Over 150 shows are credited to Hanna and Barbera.
This long and
rich history illustrates their gift for creating animated characters that live in hearts and minds for
generations. Hanna and Barbera's
ability to create shows with enduring characters is to strive for when
developing shows for animation production.
Hanna-Barbera's
animation could be called memorable as well. Memorable in the sense of its quality, or in some people's view, lack
thereof. Often reusing cels and relying
on simplistic styles at certain phases of the studio's existence, many
Hanna-Barbera classics are not art masterworks, despite the strong talents of
Hanna and Barbera. This level of
quality was largely born out of the financial need to keep the studio running.
It proved to be an excellent starting ground for people who have gone on to
other aspects of the business, some of whom I have had the privilege to work
with (an example: the producer I worked with on Jumanji at Sony,
Bob Hathcock, directed several Hanna-Barbera projects including Smurfs.)
The shows
endured -- first in syndication, and later forming the foundation for what has
become one of the biggest outlets for original animated programming, the
Cartoon Network (you can check out their website at http://cartoonnetwork.com
to find out more). Without these shows
created in the studio built by William Hanna and Joe Barbera, Cartoon Network
probably would not have come about. Which would have meant no Dexter's Laboratory, Johnny Bravo or Powerpuff Girls.
For those of you
unfamiliar with the evolution of the studio, Ted Turner bought the
Hanna-Barbera studios in the late 1980s and then launched the Cartoon Network
as one of his cable channels to recoup on his investment. Later, when Turner's stations became
acquired by Time Warner -- now AOL Time Warner -- they began producing original
programming and ultimately Hanna-Barbera was rechristened Cartoon Network
Studios in 2000. Some animation, such
as the Scooby-Doo direct to video movies, became handled by
Warner Bros. Animation.
So the name of Hanna-Barbera
passes away, in studio and almost in life, with only Joe Barbera
remaining. But the ideas they brought
to life remain alive, on screen and in people's hearts, for generations to
come. Concepts they first brought to
moving life are still being done as live-action movies, such as Josie and
the Pussycats (based on the Archie comic, for which the official
website is http://josieandthepussycats.com ; http://josiethemovie.com is the official movie website) and Scooby-Doo. This came after the success of a pair of Flintstones films, proving that the public remains
interested in properties touched by the hand of Hanna-Barbera.
So thanks to
Hanna and Barbera for letting us meet George Jetson, have a gay old time with
the Flintstone family, and all the rest.
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WITHOUT EMAILING SHAN@DUELINGMODEMS.COM FOR PERMISSION. Thank you.
All content copyright 2001 - 2011 Shannon Muir. All rights reserved.